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Thursday, July 14, 2011

Potterage

"Harry Potter via Che Guevara" by Tao Lin, Link

It's the end of an era!

Unless, of course, Harry Potter goes the way of Star Wars and continues making squintillions of dollars through toys, prequels, etc. I mean, it has it's on theme park already.

I'll be at the midnight showing tonight. It's going to be an all out nerd partay!

So here are some Potterish things on the internet to help celebrate.

There's a Kate Beaton comic, showing the adventures of Tiny Hermione.

For anyone who's all like "what's a Harry Potter?", there's a comic chronicling the entire series.

Then there's what the film series would like if included in the Criterion collection. Fancy!

And here's an excellent video that I couldn't recommend more. It will make any fan squeal just a little bit.



Be sure to check out genrocks' other videos as well. She has a mash-up of Fight Club and the Britney Spears song "Circus", and it WORKS.

Wednesday, July 6, 2011

Internet Lovelies


Hope everyone had a great 4th of July. And for all the Canadians, hope you had a great Canada Day. There's a Kate Beaton comic for you as well. I spent America's birthday on my couch sick with food poisoning, watching 1776 on TV. Seeing Mr. Feeny run about in tights and sing of American independence is jarring but enjoyable. I also started David McCullough's bestselling biography of John Adams. But now may not be the best time to start a 750 page biography of a colonial icon. Although it's really absorbing so far.

Here are some internet quotes for all you independent people out there.

Minimalism as a productive style can be very affective, alarming and satisfying, but I don’t think there ever was a pure strain of it. For a time, it was just a kettle into which many a strange fish were flung. Now with America’s miniaturization if not irrelevance in the world, it might return to the short story in grim and freshened renewal. Certainly the days of the giddy blowhard are over. I hope.
Joy Williams, Link

Maybe life is one giant disorganized flash mob, a cute point that is still being made. A 6.77 billion people fucked up flash mob without a clear recipient. Some people go to the movies, some girls go to Japan, some OD on heroin, some steal their mom’s BMW, and some guys walk to Walgreen’s for shampoo (I had hair then) at 7:42 pm on a Friday night, the night this apparently really good movie was opening, and decide to walk 3 miles to the Boardwalk, somewhat masochistically in flip flops, entering the ocean, until the coldness bites his shins, and he hears the effortless grasp of waves recoiling back into the ocean, the hiss of its waters seeping into the sand, and the chalky cosmic zit of the moon saying I have let you see this. I think I kept going back because I needed an edge of this world. Night will make the water black, cola. There’s no point in truth because we are only eyes.
Jimmy Chen, Link

wish i had a crowd of spectators like that bro on Man vs Food in here with me rooting while i refresh Facebook and lay on the floor

Every time I get on Facebook.

Status Update: I may not be living The American Dream like you, but I do have a degree from a private liberal arts university, and that is where I learned that while the possibilities granted by freedom may not always lead to a Successful Life, they do often result in a satisfying sense of superiority. Unlike nearly everyone I graduated high school with, I remain unencumbered by children, a spouse, or the e-moans of e-animal-husbandry on Farmville. Therefore, feelings of superiority arise from knowledge of the following freedoms: I am not forced to explain to anyone why looking at politician/ celebrity dick pics online is not the same as cheating; I can travel to developing countries plagued with women’s rights/ human trafficking problems without worrying that my inevitable kidnapping will devastate anyone and/ or become the basis for a sappy Lifetime movie; etc.
CJ Hallman, Link

On writing with internet access:
that kind of feed of the surrounding world can be rejuvenating, even while it eats your time. I don’t know, I like to have the onslaught of things coming at my head, and then write in streams of focus and click back out, have somewhere to go and not slog through writing endlessly. It’s like a perpetual reset button, though it can get the better of you if you let it, I imagine. If I didn’t have that set up at this point, like I was writing in a log cabin, I would feel claustrophobic and antsy and weird, whereas the internet lets me feel like I’m in a much bigger room, even if the room is idiotic.
Blake Butler, Link

like my best friend geoff, we see each other mayyyyyyybe once a month despite living close, usually less, but we’ve had this intense email chain going since 2002, have probably exchanged about 1000+ printed pages a year, and that’s a really satisfying interaction for me because those conversations have zero filler. but again, the fact that i have a mostly email relationship with my nearest and dearest friend probably says something about how much i’m failing at being a socially integrated person.
Andrea Seigel, Link

My mom has a Buddhist shrine-type thing to which she prays whenever she wants something bad, a new love for me, an old heart for my dad, or just that new Burberry spring coat. I tell her that Buddhism is essentially self-death, but so masochistic you can’t even kill yourself. Of course, I don’t say it in those words. “Ma, it’s about letting go, not holding on,” I say, with condescending italics. She looks at me calmly and lovingly as her child, the invoice of a liberal education branded on my forehead. We don’t understand each other, which is where food comes in. “Let’s go call Junior” (Carl’s Jr. in my mom talk), she says, a sad hunger in her eyes. We make the five minute drive through suburban streets named after states, a microcosm of America in more than one way. She struggles through the intercom, eagerly leaning out the window with a Chinese accent. I see her long lamented muffin-tops around her waist, the near-perfect blue sky of what should be happy, and want to cry. Death is not the and, I say, &. &. Who knew the ampersand could promise so much. On the drive home, me holding the warm bag of Carl’s son, she reaches in for a french fry or two, fingers finding fingers.
Jimmy Chen, Link

Friday, July 1, 2011

Contact, 29/100

At age twelve, I was completely obsessed with the 1997 film adaptation of Carl Sagan's novel Contact. It may have been what inspired my fanciful notions of growing up to be an astronaut. Then again, most films with interesting female leads at that time sent me into dreams of impossible vocations. After Twister I was absolutely going to be a storm chaser. Jurassic Park? Paleontologist. Tomb Raider? Well, a tomb raider I guess. But what do you major in in college to become a tornado chasing, tomb raiding, tyrannosaurus-rex tamer? It took me a long time to realize that what I loved was READING (and watching) about those things.

Then came the agony over deciding between a BA in English or Film. But that's another story.

THIS story is about a woman who is the first on Earth to contact intelligent life elsewhere in the galaxy. I'm willing to guess most people have seen the movie, so I won't spoil anything. I will say that the book is infinitely better than the film (no Forrest Gump-esque score or Matthew McConaughey, for one).

Carl Sagan was blessed with ridiculous talent. He had the super-intelligence to be a renowned astronomer, and the rare ability to translate that knowledge into accessible writing. Creative and non. And beyond that he was a promoter of peace and humanism. What I'm trying to say here is we should start The United Church of Carl Sagan.

Like all good science fiction, the plot may be out-of-this-world, but it's pointing directly back at the world. The story is about communicating with alien life, however it's more concerned with how humans communicate amongst themselves. The ultimate message is that we're not ready to talk to the gods until we're able to converse with each other on our own planet successfully. Peacefully.

Not many quotables, but I did like this observation:

Any faith that admires truth, that strives to know God, must be brave enough to accommodate the universe. I mean the real universe. All those light-years. All those worlds. I think of the scope of your universe, the opportunities it affords that Creator, and it takes my breath away. It's much better than bottling Him up in one small world. I never liked the idea of Earth as God's green footstool. It was too reassuring, like a children's story...like a tranquilizer. But your universe has room enough, and time enough, for the kind of God I believe in.

Wednesday, June 29, 2011

Radio On: A Listener's Diary, 28/100


Finally finished Sarah Vowell's Radio On: A Listener's Diary after starting, jeez, 3 months ago? I'd definitely consider it the weakest of her books. But it was her first, and was good enough to cement her writing career. So.

The idea of doing something obsessively for a year and writing about the experience isn't new (ahem). In Radio On the challenge is, you guessed it, listening to the radio, a lot, for a year. And the year is 1996. One of my favorite years! Sure, I was eleven. But I remember it crystal clear. A year dominated by the movies Clueless and The Craft, hair scrunchies, mini-backpacks and Beavis and Butthead. I'm sure some boring political things happened too. But OMG JONATHAN TAYLOR THOMAS.

Even though my brain was stuck in eleven-year-old-girl mode, there were still some "oh yeah I remember when that happened" moments in the book. Kurt Cobain's suicide. The O.J. Simpson trial. Bob Dole being Bob Dole, etc.

Even back then, radio was considered a forgotten medium. It still is -- at least in its original state. I never listen to THE radio anymore. My alarm clock used to wake me each morning with the sounds of annoying morning DJs and auto-tuned millionaires, but I put a stop to even that, now using my cell's more reliable alarm feature. And god knows I got enough of traditional radio working a summer job. For 4 summers, 2003-2006, I had a job in a factory where the work was very repetitive and solitary. The only thing to keep us sane was being able to have a radio and earphones (no tape/CDs). This was before MP3 players practically came free in boxes of Lucky Charms.

So, 8rs a day, 5 days a week, for 14 weeks I would listen to the only 2 decent radio stations I could pick up in our concrete bunker. One was a station that plays nothing but the current top hits, which would be great if you like what's popular with the kids these days. With their hippin' and their hoppin'. The other was the local NPR carrier. Which for a few minutes a day is actually interesting and bearable. Until they break out the free form jazz and I feel like Bill Cosby is behind me holding jello pudding.

Patton Oswalt sums up NPR quite well:

Update: Oh, and look, embedding the video was disabled. So here's the link: http://www.youtube.com/watch?v=6Re-OdWBCRs

But fast forward to the future and now it's all about pay radio. Or online radio. Pandora, last.fm. And I shell out $25 every month for two SiriusXM subscriptions (one's for my dad, who listens to entirely way too much doo-wop). They have a channel dedicated to film scores! Be still my heart.

I suppose you could still do the same project today: listen to satellite radio for a year. They have music, talk radio, Howard Stern, etc. But the difference would be how you document it.

What plants Vowell's book firmly in the 90s is the fact that it's an actual book, not a blog. And that's what it feels like you're reading: a printed blog. Which is why it took so long to slosh through. Imagine reading 365 days worth of archived blog postings, even from your most favorite site, in one sitting. Yeah.

So. Spread out over 3 months, I can say I really liked this book. If you're a Nirvana fan, definitely check it out. If you hate Rush Limbaugh, check it out.

Here are some snippets:

Faced with a choice of boring and dumb or boring and highbrow, which would you pick? Baywatch is the most popular television program on the same planet that turns away a million Wagner groupies per year clamoring for Bayreuth Festival tickets. "Here we are now, entertain us."

Something Rush Limbaugh said the other day has been eating at me. He was bragging about being invited to "The Big Smoke," a cigar smokers' protest in Lafayette Park across from the White House. He waxed thus:
We in our society, ladies and gentlemen, have an ever increasing bunch of ninnies who are dead set against anybody enjoying themselves. If you have a good time, somebody's going to be upset. If you have a good time doing something somebody doesn't think you should be doing, then they're going to be angry and they are going to use whatever clout, political or otherwise, they can get you do to stop it... Do you know why people smoke cigars? They like 'em!
Do you know why some men have sex with other men, Rush, you homophobic reactionary? They like to!

There's talk of a return to civility in public discourse. The nice-girl part of me says fine, but sometimes, civility's overrated. After all, wasn't Chamberlain just being civil at Munich when he should have screamed, at the top of his lungs, that he couldn't even stand to sit in the same room as that incarnation of Satan? But no, he politely signed the death certificate for a goodly portion of the Western Hemisphere. And no teacups were broken and no tablecloths were stained. Only the world paid his tab later in madness and ashes, and was an ill-mannered, uncivil, impolite mess now, wasn't it?

I say fight fire with fire. Which is not to say fight stupidity with greater stupidity.

Friday, June 17, 2011

The Stranger, 27/100

Seeing as how Albert Camus' The Stranger is supposed to be one of the most widely read novels of the 20th century, I figured I should probably get around to reading it already. It's a short novel filled with so many -isms -- existentialism, nihilism, absurdism -- that it's like taking Philosophy 101 (which I haven't taken). But as with most widely read novels, it has also been widely commented upon. So I won't add much of my own commentary. Be grateful because I would have NO idea what I was talking about (Nietzsche? That's the guy with the awesome mustache, right?).

What I will say is that every single word of the novel stuck with me. There's not a superfluous sentence in the whole book. And the courtroom and imprisonment scenes had my palms sweating, even though I already knew the story and what would happen. I would like to read it over again right now, but I need to move on.

So here are some passages I marked:

Yes, this was the evening hour when--how long ago it seemed!--I always felt so well content with life. Then, what awaited me was a night of easy, dreamless sleep. This was the same hour, but with a difference; I was returning to a cell, and what awaited me was a night haunted by forebodings of the coming day. And so I learned that familiar paths traced in the dusk of summer evenings may lead as well to prisons as to innocent, untroubled sleep.

...on a wide view, I could see that it makes little difference whether one dies at the age of thirty or threescore and ten--since, in either case, other men and women will continue living, the world will go on as before. Also, whether I died now or fort years hence, this business of dying had to be got through, inevitably. Still, somehow this line of thought wasn't as consoling as it should have been; the idea of all those years of life in hand was a galling reminder!

That was unthinkable, he said; all men believe in God, even those who reject Him. Of this he was absolutely sure; if ever he came to doubt it, his life would lose all meaning. "Do you wish," he asked indignantly, "my life to have no meaning?" Really I couldn't see how my wishes came into it, and I told him as much.

I picked up and old newspaper that was lying on the floor and read it. There was an advertisement of Kruschen Salts and I cut it out and pasted in into an album where I keep things that amuse me in the papers.

A mid-20th century tumblr!

Wednesday, June 15, 2011

Very Far Away from Anywhere Else, 24/100

So how are you liking these late 1970s-ish book covers? They doing anything for ya? That guy's sweater needs to be burned.

And whoops! Looks like a skipped #24 is my count to 100. So here it is.

Very Far Away from Anywhere Else is one of the few non-SciFi titles from Ursula LeGuin. I read her novel Malafrena a few years back not knowing it was entirely historical fiction (albeit an imaginary history), and kept expecting wizards or aliens to pop-up at some point.

This short novella is about a teenage boy trying to cope with being an outsider and what his parents/society expect of him. You know, that age-old tale. He meets a girl who's dealing with the same issues and they become friends. They have deep, personal, and philosophical conversations... and yeah you know exactly where this is going before I even finish. Because it's a guy. And a girl. And they're teenagers. The big "can guys and girls be JUST friends?" problem comes up and their friendship suffers under it.

It's a short book but it packs quite a bit in. The story becomes a conversation over what "love" actually is, what it means to be alone vs. part of a group, and the responsibility we have towards others as well as to ourselves. LeGuin captures the teenage experience honestly and realistically. Anyone who has ever been seventeen knows this story.

I think what you mostly do when you find you really are alone is to panic. You rush to the opposite extreme and pack yourself into groups--clubs, teams, societies, types. You suddenly start dressing exactly like the others. It's a way of being invisible. The way you sew the patches on the holes in your blue jeans becomes incredibly important. If you do it wrong you're not with it. You have to be with it. That's a peculiar phrase, you know? With it. With what? With them. With the others. All together. Safety in numbers. I'm not me. I'm a basketball letter. I'm a popular kid. I'm my friend's friend. I'm a black leather growth on a Honda. I'm a member. I'm a teenager. You can't see me, all you can see it us. We're safe.

And if We see You standing alone by yourself, if you're lucky we'll ignore you. If you're not lucky, we might throw rocks. Because we don't like people standing there with the wrong kind of patches on their blue jeans reminding us that we're each alone and none of us is safe.

I guess I tend to think that important events should be solemn, and very grand, with muted violins playing in the background. It's hard to realize that the really important things are just normal little happenings and decisions, and when they turn on the background music and the spotlights and the uniforms, nothing important is going to happen at all.

Wednesday, June 8, 2011

Cognitive-Behavioral Therapy, and You Are a Little Bit Happier than I Am, 25-26/100


Here are some lines I enjoyed from Tao Lin's book of poetry, Cognitive-Behavioral Therapy, in order of pagination:

from "eleven page poem, page nine":
my unit of communication is the 200-page novel
always remember that i am better than you, according to me
small feelings of permanence later get wrapped and sold on amazon

from the untitled hamster poem on page 63:
'They found a slug in a tree and like 50 ants climbed on top of the slug to try to kill it but the slug jumped out of the tree to try to kill itself but it didn't die by falling and they attacked it more but the slug oozed this sticky mucus and the ants got caught in it and the small ants went and got soil and put it all over the slug and it soaked up the mucus and then sawed the slug's body apart with their pinchers and brought it back to the babies,' the hamster friend says.

The hamster tells its hamster friend that what it just typed is the name of their new press if they just add the word books at the end.

from "fourteen of twenty-four":
innate in all taco bell patrons is the possibility
of phenomenal poetry--something to look forward to

from "eighteen of twenty-four":
...to instill an awareness of death
directly into the reader's facial expression
is still one of the most powerful literary devices available
to distill the essence of any argument or rhetorical situation
pretend you are speaking from an enormous distance
and the audience doesn't exist
and you are not the person who is speaking

from "twenty-one of twenty-four":
one can claim ownership only of what exists within one's skin
and then maybe only what the brain can directly move the atoms of
from one's own perspective the brain seems to own itself
we observe the brain from an abstract distance
we observe each other from a physical distance
the brain observes nothing from no distance
therefore everything is going to be OK

Here are some lines I enjoyed from Tao Lin's book of poetry, You Are a Little Bit Happier Than I Am, in order of pagination:

from "spring break":
i lie on my bed and i wait for your phone call
the only person in the world that i like
my favorite person
not god but a person

and i know you can't save me, you didn't create the universe in seven days
you're just another person who isn't in love with me
but maybe you can do something, still, i guess ...

from "Appreciate Me For Everything Good I Have Done in the Past":
My demeanor in social situations
can be described as 'low-level panic attack.'

from "At That Leftover Crack Concert Two Years Before I Met You":
I think I would panic and drive into a building if I was in Manhattan and a fire truck had its sirens on. In Florida when I'm driving I always use ambulances as an excuse to make illegal U-turns and to drive over medians and do other fun and provocative things with my car. One time an ambulance was coming and I made a U-turn and saw a tree and calmly drove there and knocked it down then saw a shrub and went to that and ran it over like a lawn mower. I felt patriotic because I was trying harder than everyone else to get out of the way of the ambulance.